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Despite what you may think of the genre, that song’s throbbing beat and Iglesias’s flawless falsetto made it one of the biggest hits of 1999. “California Callin'” is a throw-back to Enrique‘s “Be with You”. However, regardless of what’s backing him up, he’s got pipes. “Say It” is a simple ballad, and while Iglesias and his co-writers have succeeded in creating an uncomplicated and melodic hook, the cheese of the instruments takes away from any genuine emotion in his impressive vocals. Iglesias even throws in a few Michael Jackson-esque “Wooo”s for good measure.
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Again, the beat sounds too much like a drum machine, however the song successfully straddles pop and rock. Iglesias’s vocals are so thickly layered with and surrounded by his backup vocalists that it’s difficult to differentiate his voice from the studio musicians’ during the chorus. This willingness to use such a traditional instrument continues on “The Way You Touch Me”. The beat sounds totally synthetic, however the electric guitar adds a simple and believable rock element to the tune. Boasting a catchy Latin shuffle that firmly lodges the hook in the listener’s memory, the song is an appropriate second single to the melodramatic first single, “Addicted”. “Not in Love” starts with Iglesias’s signature whisper asking us, “Are you ready?”. Coming in at just under 55 minutes, this record flows smoothly from beginning to end, no one song standing out amongst the upbeat and danceable tunes and the slick-but-tender ballads. Just because he’s produced a lot of it doesn’t make it great stuff. Why, then, is it so difficult to admit that Enrique Iglesias is more than a teen heartthrob who’ll be gone in a couple years? Well, there’s the music to consider. So, the guy’s obviously got the experience and know-how to not only enter the music industry, but to stay, for all intents and purposes, on top for upwards of a decade.
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And finally, in 2003, Iglesias won a Latin Grammy for Best Male Pop Album. Quizas charted #1 on the Latin Chart and crossed-over to reach #12 on the pop chart. Iglesias released Quizas in 2002, an album entirely in Spanish. His English debut on Interscope Records, Enrique, hit stores in 1999 and went Platinum, selling 4 million copies abroad. By 1998, he’d released two more Spanish albums on that label and had received two Composer of the Year awards from ASCAP. By the end of the year, he’d released Enrique Iglesias on Fonovisa Records. In 1995, he left the University of Miami to pursue music. The big question: can Enrique Iglesias be considered a respectable and credible artist? Is it the very category of shameless pop that makes me and many others scoff at his music and image? What does he need to do to gain credibility? Seven albums in nine years, songwriting ability, relentless touring, a bajillion singles and videos, and a slew of awards including a Grammy, five AMAs, several Billboards, and even a couple of ASCAP songwriting awards - it all potentially adds up to a respectable and successful recording career. Enrique’s talent should be restricted to sappy ballads and smooth crooning about “making love”. Iglesias hasn’t yet hit 30, and certainly doesn’t seem to be slowing down.īut… he’s Enrique… son of Julio Iglesias. His musical debut was released nine years ago when he was only 20 years old. On this new album, he co-wrote every track and co-produced several. What to say about Enrique Iglesias? The appropriately titled 7 is his seventh full-length album and his third English release.